What is the Difference Between Art and Craft?

As I follow my heart more deeply into this creative journey I’ve set out on, I’ve started to wonder about the difference between Art and Craft. I named this website ‘1000 Cranes Craft and Decor’ for a couple of reasons. One was simply the alliteration of the words Crane and Craft . . . it sounded good. But the other reason is that I have always thought of myself as a ‘crafter,’ not as an ‘artist.’ It’s self-effacing and something I think (without doing any research at all) that women have always done — minimized the things we create out of necessity or in our spare time — as craft with a small ‘c’ rather than as ‘Art’ with a big ‘A.’

But my husband, with his loving eyes, always tells me I’m an artist. When I went to the Haven Conference last year and tried to explain to someone, an experienced decor blogger, what I was doing with my cranes, she looked at me and said “oh, you’re an artist.”

So I’ve been wondering if I am an artist? What is that boundary between craft and art? It’s not necessarily level of skill or amount of time spent on a piece. The cut and fold book art of a menorah, pictured above, is something I’d call craft. It took patience. It took time. It took practice. But it’s from a pattern that someone else created. And in the end, my product looks just like the picture that came with the pattern when I downloaded it. Except that I painted the cover gold.

But my canvas of 1000 cranes, made out of sanitary pad paper? That might approach Art . . . I did get good at folding cranes because I folded 1000 of them. And it did take me a year to finish. But the end product is something that no one else would be able to easily replicate. It’s a thought, an idea, a story, that I can’t provide a pattern for.

I just finished reading the book, The Gown, by Jennifer Robison. The book is a description of the creation of Queen Elizabeth’s wedding gown in 1947 from the perspective of the embroidery artists who decorated the dress. One, in the end, is a craftsman and the other is an artist. Ann, the protagonist and the craftsman says, “What we do takes a lot of skill, and a lot of practice, but nearly anyone can figure it out with some training. This, though . . . this is different. This is the sort of thing people will line up to see, and when they do it will change the way they see the world, and when they go away they won’t forget it.”

Maybe that definition is too grand. Or perhaps I’m still too self-effacing. I don’t think that a canvas of 1000 cranes will change the way someone sees the world. But perhaps there is not a distinct boundary between craft and art. Maybe the boundary is actually a transition — ‘ombre’ as my husband and I like to tease each other; a gradual blend of one color to another and each color in between is no less special and beautiful.

#quarantinecrafting

My guilty pleasure during this quarantine is crafting. I say ‘guilty’ because the pandemic is giving me an excuse for treasured time to create. The world has slowed down long enough that it’s actually okay to just be. And breathe. In some upside down and backwards way, I feel guilty for not feeling guilty for taking the time to do something that I love. Okay, that’s enough guilty.

I think I’ve been a bit like a kid in a candy store — “ooh, ooh, what shall I try first?” I’ve re-arranged the furniture. I’ve bought new furniture (well, new to me, and it was sight unseen off a consignment store website which is kind of bold, eh?). I’m painting the old furniture. I’ve re-hung pictures. I’ve made bread; and clafoutis; and matzah covered in toffee and chocolate. I’ve gardened. I’ve made more pom poms (of course)!

I pulled out the sewing machine and made masks — from thrifted toile flannel pajama bottoms (really, I only wanted to wear the top).

I made bracelets from leftover fabric and ribbon and embroidery thread and mailed them off to my daughters. (It’s amazing what you can work on during a Skype call if the video is turned off!)

I’m working on my book folding skills. I’ve purchased several different kinds of patterns to understand the different techniques. The Book End guy, at the start of this post is one. That pattern is from SimplexBookFolding. (He’s got an inverse partner who’s up for folding next.) The abstract Yin Yang is another piece, from an excellent YouTube video by Johwey Redington (https://www.youtube.com/watch?v=PWXugfboYvE):

But always, it seems, there are cranes.

I started the quarantine with 289 cranes. I really wasn’t sure if I was going to try to fold 1000 cranes again this year. One month in to the quarantine and I am up to 500. I started folding cranes last year to build resilience. That need for resilience, that need for a sense of creating something concrete, and the zen of having something unobtrusive to do with my hands while my brain focuses on other, less pleasant but necessary, tasks — those needs haven’t gone away in 2020. This year, rather than being folded from panty liner backing, the cranes are folded from the pages of an old dictionary. Words in flight.